A quiet hymn to freedom and belonging — The Bird Tray captures the gentle poetry of everyday life through the warmth of hand, wood, and light.

Its folkloric pattern tells of movement and memory — a bird mid-flight among stems and blooms, painted in teal, amber, and ivory.
Each tone speaks to a season of nature, and each stroke recalls a rhythm once found in ancient craft.

The tray’s edges are lined with golden dots, a soft repetition that hums with continuity — where no line is merely decorative, and no surface is without meaning.

More than a serving piece, it is a small ritual of calm — a companion for slow mornings, afternoon tea, or the golden hour before dusk.

This piece reimagines Hassan Fathy’s original chair — an object once shaped for simplicity and belonging.
The new edition carries that essence forward: bold in its geometry, quiet in its gesture.

A high back rises like a minaret.
Arms curl into loops — protective, embracing.
The form is sculptural, yet human.

It is not only for sitting, but for grounding.
Not only for function, but for remembrance.

Crafted in dark wood, it holds both weight and stillness — a reminder that design is not fleeting, but enduring.
It is a dialogue across time: between past and present, between the hand of Hassan Fathy and the hands that shape it now.

This chair does not imitate — it continues.
It is heritage, re-expressed.

The Visitor is a sculptural table composed of three distinct hexagonal forms, each echoing the quiet precision of a honeycomb.
The design emerged from a moment of stillness — a bee, drawn to light, gently entering a silent room. A presence so subtle, it became shape.

From that encounter, form and story merged.

Each element holds its own weight, yet belongs to a greater whole.
Crafted in warm wood and finished with layers of stone, glass, and natural grain.

This piece is not made to dominate a space, but to anchor it.
To invite pause.

The Visitor reflects a deeper design philosophy:
Where objects tell stories.
Where presence is enough.
Where stillness becomes purpose.

Its frame carries the words: “Be beautiful, and you will see the world as beautiful.” More than reflection, it becomes perspective — a dialogue between self and space.

The name “كُن” (Be) echoes the divine command of creation. Around it, Kufic script is carved and softly backlit, so that language turns into light.

By day, the mirror stands sculptural and grounded. By night, it transforms — casting a sacred warmth through the rhythm of its script.

It is not just a mirror, but a ritual of presence. A modern relic where beauty is both seen and felt, where light reveals not only what is, but what could be.

Where pattern meets patience, The Bloom Tray unfolds like a quiet mandala — a study of balance, crafted for the art of everyday rituals.

Its hand-painted layers shimmer beneath a soft resin glaze, revealing a dance of teal, amber, and ivory — a dialogue between earth and air.
The symmetry invites reflection, the rhythm restores order, and the glow of colour renews the senses.

Along its wooden frame, delicate motifs trace the lineage of craft — timeless, grounded, and beautifully imperfect.

It serves not just tea or breakfast, but the moment itself — a space to pause, breathe, and reconnect with the serenity of design made by hand.

Before wardrobes, there was the sabet — a wooden chest that held not just belongings, but the spirit of a home. Inside, folded garments, embroidered fabrics, silver, and gold waited for new beginnings.

Carved from enduring woods and adorned with mother-of-pearl and brass, it stood as a vessel of continuity — a silent witness to generations.

This reinterpretation revives that legacy through minimalist Egyptian craft — hand-cast brass, forged copper, and shell inlay.
A bridge between eras, it carries what we keep — and what keeps us.

Wrapped in soft faux fur and standing on wooden legs, The Bear brings warmth to any corner of the home.

It’s more than a seat — it’s a moment to pause, breathe, and reconnect.

Each piece is made to invite touch and slow down time, becoming a companion to quiet mornings and candle-lit evenings alike.

Designed to evoke childhood memories of softness and care, The Bear reminds us that comfort isn’t luxury — it’s belonging.

Each tray table draws from the geometric language of Anatolian Kilim motifs — a tradition where pattern is never arbitrary but symbolic. Stars speak of happiness and fertility; grids suggest order and continuity; horns embody strength; eyes offer protection. These timeless forms, once carried across generations in woven textiles, are now reinterpreted through precise marquetry veneers.

The result is a series of surfaces where craftsmanship and cultural memory intersect. Foldable, lightweight, and versatile, the tables adapt effortlessly between utility and ornament, blending functional design with narrative depth.

This is design as continuity rather than imitation — symbols distilled into form, heritage translated into a contemporary language of material, proportion, and purpose. Each table stands as a story told through pattern: enduring, articulate, and alive within modern interiors.

In the quiet geometry of The Light Spiral, light finds its rhythm — circling inward like water, ascending like thought.
Each handcrafted layer captures a moment of stillness in motion, a rhythm of precision that draws the gaze toward its luminous center.

Its geometry speaks of order; its depth, of reflection — a dialogue between structure and soul.
Inspired by the cosmic spiral that leads to the North Star, it becomes more than a table: a compass of calm, guiding light toward its truest direction.

In minimalist spaces, The Light Spiral grounds the eye and steadies the spirit — a reminder that even in stillness, light knows where to go.

Inspired by the sacred eight-pointed star, this table celebrates the harmony between form and spirit. Each line meets with purpose, each void holds the whisper of reflection.

Crafted in walnut or lacquered white, it shifts between earth and light — grounded yet ethereal. Its lattice surface lets shadows dance softly beneath, turning every beam of light into a quiet prayer of geometry.

A piece of stillness in motion —
where tradition meets modernity,
and beauty becomes presence.

Grounded. Soulful. Timeless.

A mirror where geometry breathes.
Rooted in Nubian pattern, its design carries a dialogue of contrasts — sharp lines meeting soft rhythm, order meeting flow.
Each shape begins in stillness, like a single heartbeat. As the pattern repeats, it comes alive — creating a quiet movement that draws the eye, then calms it.

The Rihla Mirror holds both strength and ease, structure and pause.
It invites you to slow down, to see reflection not as appearance, but as a moment of grounding — where form and soul meet in quiet harmony.

Like the trunk of an olive tree standing in the desert wind, The Curve Table  holds both strength and grace.
Its base is rooted, sculpted to carry — like a body that remembers its own stillness.
The top rises gently in a soft wave, curving not for decoration, but for comfort — as if shaped by a quiet hug.

Every line speaks of balance: feminine yet firm, fluid yet grounded.
Together, the family of tables forms a gentle rhythm — three beings gathered in harmony, each complete on its own, yet stronger as one.

There’s a sacred simplicity in their dialogue — a reminder that even in stillness, life moves.
Just like the olive tree that stands in peace — surviving through sun and silence, rooted deeply yet open to the sky.